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Then it became a question of which fixtures to add for eye candy? The Rogue FX-Bs were my obvious choice, because I could do so many different things with them without taking up a lot of valuable space. “Luckily, Whisky had just added four CHAUVET DJ Intimidator Spots and some flat spots to the house rig,” said Kay. That also took up some room, so any fixture we added to our floor package had to make sense to justify the space.”Ĭomplicating matters for Kay was the 15’ trim of the venue’s house rig, which limited what he could hang from a floor package. “Plus, since Alphaville is very video oriented (the group won Chauvet an Academy Award for a short film it made), we needed to have our entire back wall covered with 3mm video panels, three screens measuring 9’x9’. “I had to fit five musicians comfortably on this stage with a fixed drum riser,” continued Kay. “This was a dream come true not only for Alphaville, but also for many of their diehard fans in the US,” said Richard Kay, who has been with the band as its lighting designer since 1998 and has toured 91 countries with them.
#Stage lighting design stars professional
Supporting their high-energy performance with an endless stream of fresh looks were eight CHAUVET Professional Rogue R1 FX-B LED fixtures. The synth-pop stars, who have multiple Top Ten hits in Europe to their credit, got their wish recently when they journeyed to the US and performed two Whisky a Go Go shows over the Memorial Day Weekend. Like many who grew up on rock, the members of German supergroup Alphaville always dreamed of playing at the legendary club. “We turned up our lighting volume to match particularly powerful parts of the musical performances.” “The intensity ensured that I could easily make an impact on stage,” he said. Westcott was also impressed with the output of the Maverick fixtures. The wide zoom (13-degree – 37-degree) was particularly useful in helping us vary the looks we created.” “Thankfully with the Maverick’s armament of features we always had another trick up our sleeve. “Given that there are 14 bands performing on the main stage over a 48-hour period, it can be a challenge to keep each band looking fresh and unique without recycling the same looks and dynamics over and over again,” said Westcott. Varying these patterns helped him create a continuous flow of unique looks. Controlling the fixtures via sACN and drawing on features like their 3-facet prism and slot-and-lock gobo wheels, he used them to create overlapping patterns that added a sense of depth to the stage. Westcott flew eight of the 440W moving LED fixtures over the festival’s main stage, half on upstage truss and half on midstage truss. Setting an appropriately evocative mood for the festival was an intensely powerful and richly textured lightshow designed by Michael Westcott that featured CHAUVET Professional Maverick MK2 Spot fixtures, supplied by Show Systems Australia. This year, the thousands of visitors who descended on the event were treated to an impressive display of blues virtuosity by artists like Mark Seymour of Hunters & Collectors fame and Guitar Extravaganza featuring Kevin Borich, Phil Emmanuel and Tim Gaze. Memphis may be over 10,000 miles away, but every year, the town of Forth (population 700) resonates with sounds reminiscent of Beal Street as it plays host to the Forth Valley Blues Festival. The soul-stirring power of blues music knows no national boundaries. Visual Licks for Forth Valley Blues Festival